Engagement, Elopement & Family Photography Packages in the San Francisco Bay Area
Every session includes personalized planning, a private online gallery of high-resolution edited images, and full printing and download rights.
Travel is included within 40 miles of Pacifica; beyond that is a flat $1.25/mile.
Not sure which package fits? Get in touch and I'll help you figure it out.
 
 
"Yana is an absolute gem to work with. This was my first time having professional photos done. The process leading up to my photos was efficient, tailored, and stress free. I am in the throws of wedding planning and this was the easiest process for me."
Emma Wyatt
 
 
FAQ
 
How many photos do we receive, and when do we get them?
Every delivered image is individually selected and thoughtfully hand-edited in my signature warm color grade or captured natively on my dedicated monochrome camera. All of my photography packages include a minimum of 80 high-resolution images.
You will receive your complete online gallery within 1 week of your session date. Your gallery includes full-resolution digital downloads and personal printing rights, making it easy to download, share, and print your photos.
For surprise proposals and elopements, I deliver a curated sneak peek within 24–48 hours so you can announce your news and relive the excitement right away.
Do you help with location scouting and logistics?
Yes, for every single session. Having explored Northern California from Big Sur to Mendocino, I handle the logistics so you don't have to stress about where to go or when.
For every shoot, I provide:
- Tailored Locations: Handpicked spots matching your vision—from coastal bluffs and beaches to rolling hills and redwoods.
- Light & Tide Timing: Exact scheduling around golden hour, sunset angles, coastal fog, and ocean tides.
- Turn-by-Turn Logistics: Precise GPS parking pins, trail directions, and pet/permit info.
For Surprise Proposals:I provide extra tactical support—discreet positioning maps, cue plans, and live check-ins so your moment stays a complete surprise while I capture it seamlessly.
Are your sessions completely candid, or do you tell us what to do?
It’s a thoughtful blend of gentle guidance and unscripted observation. Expecting anyone to be "100% natural" the moment a lens points at them isn't realistic.
I guide you through movement prompts, fun interactions, and activities that break the ice and take the focus off the camera. As you settle in, the real magic happens in the moments in between—the private glance, the sudden burst of laughter, the resting hand on a shoulder.
If I notice a breathtaking pocket of light or an angle that flatters you, I will step in with light direction to position you within it. Otherwise, I keep a light hand and adapt directly to your comfort level so your session feels like a date or a hike, never a staged photoshoot.
What happens if it rains on our shoot date?
I monitor local forecasts closely in the days leading up to our session. If there is a high chance of sustained, heavy rain, we will reschedule to a clear backup date at no extra charge.
With that in mind, light coastal mist, passing showers, or damp coastal air can add extraordinary character, drama, and intimacy to your photos. If you're adventurous and open to embracing the elements, we can select locations with natural architectural or forest canopy cover, grab a clear umbrella, and create something truly unforgettable.
What is the best time of day for our session?
Golden hour—the hour just after sunrise or the hour right before sunset—delivers the softest, warmest, and most cinematic light.
However, Northern California is famous for its coastal fog and moody overcast skies, and I love shooting in overcast weather. Overcast light acts as a giant natural softbox, giving skin an even tone and adding an editorial, atmospheric mood to coastal bluffs and redwoods. That said, overcast lighting requires careful location curation; certain open beaches or high ridge trails shine under gray skies, while deep canyons can get dim. We will select your location based on the light conditions that best fit your vision.
We feel awkward in front of the camera. Can you still get good photos?
Almost everyone feels nervous at the start. That is why my sessions are built around moving, exploring, and interacting rather than holding static, still poses. Within the first ten minutes, as we walk, chat, and start moving through the landscape, that self-consciousness disappears, and your natural dynamic takes over.
How do you edit your photos? What is your signature style?
My goal is to capture everything as intentionally as possible in-camera—from natural composition to ambient light—so I don’t rely on heavy post-processing tricks. In Adobe Lightroom, I refine exposure and color grade with a distinct leaning toward warm, rich tones and film-inspired aesthetics.
I deliberately infuse natural grain into my images. Film grain does two powerful things: it gives the photos a timeless, cinematic texture, and it gently softens skin tones without erasing your natural features. You won’t get "perfect" plastic-looking edits from me; you will get photos that feel warm, nostalgic, and alive.
How do you work with toddlers and young children who won't sit still?
I don’t expect them to sit still—in fact, I prefer that they don't. Children are the ultimate documentary subjects because they cannot fake their emotions.
I treat children with genuine respect and autonomy. I try to become their friend, run around with them, lean into their games, and let them explore. My job is to follow their lead and gently guide them into pockets of flattering natural light or toward stunning backdrops. By letting them be themselves, parents get to relax, the kids have fun, and the gallery captures their true personalities at this exact age.
Do you use AI to edit photos?
Never to manipulate the reality. You will never see me use generative AI to alter facial/body features, swap eyes so someone looks at the camera, replace skies, or smooth skin into a plastic, "soapy" texture.
I only use assistive tools for minor, non-essential environmental cleanup—like removing a stranger’s neon backpack in the distant background, a trash can, or a stray piece of trail litter that distracts from the moment. If you happen to wake up on session day with a temporary, uninvited pimple, I’ll happily heal that out. Otherwise, your skin texture, laugh lines, and natural expressions remain untouched.
Some of your photos have tilted horizons, motion blur, or soft focus. Is that intentional?
Completely intentional. A lot of traditional photography rules obsess over level horizons and clinical edge-to-edge sharpness. I care about how a photograph feels.
Life doesn't happen on a tripod. When you are running along the coast, laughing uncontrollably, or caught up in an emotional embrace, a tilted horizon conveys speed, raw energy, and presence. Soft focus or deep, shadowy blue-hour exposures create an intimate, poetic atmosphere that a clinically sharp photo simply cannot replicate. To me, capturing the spirit of the moment will always be more important than following rules.
Can I convert my black-and-white photos to color?
In most of the cases, no—and here is why: I shoot with a dual-camera system, including a dedicated monochrome camera. This sensor physically captures only black-and-white tonal data without a color filter array, yielding unmatched shadow depth, highlight nuance, and organic contrast.
Because those frames are captured natively in black and white, color data does not exist for them. Black and white is a foundational part of my visual storytelling. If you have specific preferences regarding monochrome versus color ratios, we will discuss that during your pre-session planning.
Do you deliver the RAW (unedited) files?
I do not deliver RAW files. Selecting the finest exposures, refining the color balance, and applying intentional grain is an essential half of the creative process. Delivering unedited camera data would be like handing over an unfinished painting.
Where to Elope in the Bay Area & Beyond
Coastal & dramatic: the Marin Headlands, Mt. Tam, the Mendocino and Bodega Bay coastline, and the cliffs around Pacifica.
Forest & intimate: Muir Woods–area redwood groves and quiet Peninsula trails.
Classic San Francisco: City Hall, Lands End, and the Palace of Fine Arts.
What's the difference between an elopement and a micro-wedding?
An elopement is just the two of you (or a tiny handful of people); a micro-wedding is a small, intentional celebration — usually under ~15 guests. I photograph both.
 
Recent Work
 
Say hello. Let's create memories together.